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| Title | Golden Ear, The | |||
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| Composer | San Miguel, Mariano |
Marshall’s Civic Band Topeka, KS Est’d 1884 |
Number | C-807 |
| Type | CB | |||
| Date | 1946 | |||
| Key | Ab | |||
| Arranger | Walters, Harold |
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Length | 3.20 |
| Publisher | Rubank, Inc. | Vocal | No | |
| Association | Grade/Difficulty | ?/? | ||
| Last Performed | Unknown | |||
| Manuscript | No | |||
| Style | Latin, Paso Doble | Location | Marshall's Band Library | |
| Cataloger | Rick Baker | |||
| Date Cataloged | 08/16/1994 | |||
| Notes |
One of the famous traditions of the bullfight spectacle, which originated in
Spain, is that when a toreador has triumphed over his bull, and his performance
has received the enthusiastic approval of the aficionados, he is awarded the ear
of the defeated animal. In addition, in years past, the award gave him
possession of the carcass of the bull which was sold as additional remuneration.
In 1924 a more suitable and enduring reward was conceived in the form of "The
Golden Ear" trophy which was first presented to Rodolfo Gaona.
Mariano San Miguel, Spanish bandsman, composer, and music publisher, has
written an unusually colorful paso doble (two-step) for band. Entitled "The
Golden Ear" (La Oreja de Oro), it portrays much of the musical and emotional
excitement of the bull ring. Harold Walters' attractive arrangement of this
composition makes it available to Concert Bands throughout this country for the
first time.
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