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| Title | Caribbean Sketch | |||
|---|---|---|---|---|
| Composer | San Juan, Pedro |
Marshall’s Civic Band Topeka, KS Est’d 1884 |
Number | C-936 |
| Type | CB | |||
| Date | 1946 | |||
| Key | C | |||
| Arranger | None |
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Length | 0.00 |
| Publisher | Leeds Music Corp. | Vocal | No | |
| Association | Grade/Difficulty | ?/? | ||
| Last Performed | Unknown | |||
| Manuscript | No | |||
| Style | Concert Piece | Location | Marshall's Band Library | |
| Cataloger | Rick Baker | |||
| Date Cataloged | 12/06/1998 | |||
| Notes |
Donated to Marshall's Band by J.D. Parr of the Baker University band. Concert
notes on folder:
The Cuban music of today has two aspects derived from two influences - Spanish
and Negro - that have determined the course of its development. This decisive
fact divides the current panorama of Cuban music into two clearly defined
sectors; the typically Creole and the Negroid. In both there are beauty, force
and life. The Creole music has evolved in a sensual, bland, sentimental and
seductive manner, a manner growing out of the surrounding medium. The Negroid
music has preserved the strong, primitive and invigorating accents of the virgin
forest.
In this Caribbean Sketch, the author presents, in a sharp contrast, these two
facets of Cuban music: the Creole and the Negroid. A rhythm closely related to
the "Conga" begins this work and then alternates with other melodies and rhythms
of Creole sentiment. - Pedro Sanjuan.
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