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| Title | Belle Of Chicago, The | |||
|---|---|---|---|---|
| Composer | Sousa, John Philip |
Marshall’s Civic Band Topeka, KS Est’d 1884 |
Number | M-123 |
| Type | CB | |||
| Date | 1892 | |||
| Key | Eb | |||
| Arranger | None |
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Length | 0.00 |
| Publisher | Harry Coleman | Vocal | No | |
| Association | Grade/Difficulty | ?/? | ||
| Last Performed | Unknown | |||
| Manuscript | No | |||
| Style | March | Location | Marshall's Band Library | |
| Cataloger | Alan Ukena | |||
| Date Cataloged | 06/30/1993 | |||
| Notes |
Composed in 1892. "Sousa was soundly criticized for this march, which he
composed as a salute to the ladies of Chicago. Among the protests made by
Chicago newsmen were these:
'Mr. Sousa evidently regards the Chicago belle as a
powerful creature, with the swinging stride of a giant,
a voice like a foghorn, and feet like sugar-cured hams.'
'The maiden who inspired it would seem to be ... a
giantess ... whose motto ... might have been 'I will
make a noise'.
'Mr. Sousa has made his Chicago belle a strappling
kitchen wench...'
"The march outlived its criticism and is probably more popular overseas than
it is in the United States."
The Works of John Philip Sousa
pg. 42
Paul E. Bierley
Integrity Press
1984
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