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| Title | Liberty Bell, The | |||
|---|---|---|---|---|
| Composer | Sousa, John Philip |
Marshall’s Civic Band Topeka, KS Est’d 1884 |
Number | M-912 |
| Type | CB | |||
| Date | 1951 | |||
| Key | F | |||
| Arranger | None |
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Length | 0.00 |
| Publisher | John Church Co. | Vocal | No | |
| Association | Grade/Difficulty | ?/? | ||
| Last Performed | Unknown | |||
| Manuscript | No | |||
| Style | March | Location | Marshall's Band Library | |
| Cataloger | Rick Baker | |||
| Date Cataloged | 09/16/1994 | |||
| Notes |
Donated to Marshall's band by Scott Bradley, director of the Onaga High School
band.
Composed in 1893. "For $500 more, this march probably would have been named 'The
Devil's Deputy.' Sousa was composing music for an operetta of that name at the
request of the celebrated comedian Francis Wilson. Sousa asked $1,500 for the
work, but Wilson offered $1,000. When they could not come to an agreement, Sousa
withdrew with his partially completed manuscript, which included a lively march.
"Sousa and George Frederick Hinton, one of the band's managers, were in
Chicago witnessing a spectacle called 'America' when a backdrop, with a huge
painting of the Liberty Bell, was lowered. Hinton suggested that 'The Liberty
Bell' would be a good title for Sousa's new march. By coincidence, the next
morning Sousa received a letter from his wife in which she told how their son
had marched in his first parade in Philadelphia - a parade honoring the return
of the Liberty Bell, which had been on tour. The new march was then christened
'The Liberty Bell.' It was one of the first marches Sousa sold to the John
Church Company and was the first composition to bring Sousa a substantial
financial reward.
"According to a story told by the Sousa Band's first soprano, Marcella
Lindh, she contributed one of the themes of the march. Sousa had heard her
whistling a catchy tune of her own and had asked her permission to incorporate
it into one of his marches. Several years later she heard 'The Liberty Bell'
march being performed by a band in Europe and recognized her own melody in the
march."
The Works of John Philip Sousa
pg. 67
Paul E. Bierley
Integrity Press
1984
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